Il percorso toccherà anche l’Oratorio di San Giovanni e la Fonte dell’Acqua Sulfurea. 

Potete scaricare la App Visit Distretto del Novese, valida per i 34 comuni del Distretto del Novese, con la quale potrete leggere le informazioni storiche e le curiosità sulle principali attrazioni ma anche ascoltarle attraverso lo smartphone.

L’hashtag ufficiale è #VisitDN accompagnato da #InvasioniDigitali 

Appuntamento alle 16.45 al ponte dei Paganini, munitə di smartphone, cuffiette e scarpe comode per scoprire tutte le tappe del nuovo percorso turistico interattivo. 

L'articolo Invasione Digitale a Voltaggio – Distretto del Novese proviene da Invasioni Digitali.

Dopo il successo della prima edizione, svoltasi nel mese di maggio 2021, sarà proposto al pubblico di viaggiatorə e cittadinə un ricco calendario di attività, per stimolare esperienze coinvolgenti, interattive e partecipative sul tema del viaggio. Focus geografico di questa seconda edizione l’Italia e l’Europa. Ma il pubblico sarà condotto anche attraverso altre dimensioni del viaggio, intenso come percorso umano interiore, quale esperienza “creativa” e rigenerante della mente e del corpo, delle nostre capacità relazionali, della sensibilità e affettività di ciascunə di noi.

Tante le attività che verranno ospitate nello spazio #InTransito della Stazione Tiburtina: il viaggio circolare della vita, installazione dell’artista Sergio Gotti; le escursioni girovaghe di viaggiatorə dal passato e dal futuro; un social wall interattivo e mappe fisiche; i 7 viaggi nella creatività, video interviste a grandi artistə italianə; i laboratori per bambinə; l’esposizione delle opere vincitrici del ContestEco 2021; il reportage del EYR2021 e del Connecting Europe Express.

Dai un’occhiata al Calendario della Seconda Edizione di #InTransito 

“Il progetto, promosso da Roma Culture, è vincitore dell’Avviso Pubblico Contemporaneamente Roma 2020 – 2021 – 2022, curato dal Dipartimento Attività Culturali ed è realizzato in collaborazione con SIAE”.

L'articolo Are you a sustainable traveler? Racconta il tuo viaggio e partecipa a #InTransito proviene da Invasioni Digitali.

L'articolo A task force for 3D Content in Europeana proviene da Invasioni Digitali.

Si terrà a San Pietro, contestualmente all’anniversario dei 25 anni di apertura del The Warhol Museum di Pittsburgh. 

Verranno esposte le opere a sfondo religioso dell’artista che, 39 anni fa, incontrò Papa Giovanni Paolo II a Roma e che, provenendo da una famiglia cattolica di origine cecoslovacca, pare non avesse mai perso la fede nonostante una vita di eccessi. 

The Last Supper – 1986 – ispirata all’Ultima Cena

L'articolo Andy Warhol in mostra al Vaticano proviene da Invasioni Digitali.

Register your interest and get an invite to purchase your ticket as soon as the Early Bird tickets are available.

EuropeanaTech is about the practical application of research concepts and the latest technologies to digital libraries. For this edition of EuropeanaTech, they concentrate on the three D’s: Data, Discovery and Delivery. Intertwined are the concepts of participation, linked and big data; language and tools. Across all the subjects we are looking for the inclusion of rigorous evaluations of the outcomes.

The conference will be a mix of invited speakers and successful presentations from this call. We are not expecting an academic paper but a lively presentation of work that you have been doing under the subjects below. We are as interested in the glorious failures as we are in the gorgeous successes.

Submission Guidelines

Please submit your proposal by February 7.  It should contain a title, an abstract of 250 words, some key words and a two sentence evaluation of its practical benefits or learning.  The Programme Committee will evaluate all the submitted proposals and will notify you before the end of February if your proposal has been selected for presentation.  There is room for up to 15 presentations to be given in the conference as a result of this call. The conference fee and your travelling costs will be covered if your presentation is chosen.

Submissions are to be made via EasyChair: https://easychair.org/conferences/?conf=eurtech18

List of Topics

DATA

1.      User generated content and metadata:  from crowdsourcing of descriptive data and transcription projects to Wikidata and structured data on the Commons to how to combine institutional and user generated metadata. We are looking for what has worked, or what hasn’t and can be done better.

2.      Enhancing the results of digitisation: various applications connect the act of digitisation with required data processes for the use of the data.   What are the latest techniques, have they been applied at scale, do they work in the in the more challenging audio-visual areas?  We are interested in everything from 3D capture, OCR,  sound/video labelling, named entity recognition and feature detection, to machine or deep learning to help classify and categorise the digitised data.

3.      Decentralisation vs Centralisation: We know that aggregation works as a process to bring together disparate data, standardised, normalise it and make it available to other parties, but we also know that this is labour intensive, very hierarchical, and does not distribute knowledge and expertise. On the other hand more decentralised ways of working have yet to be really proven in practice. Presentations that give the latest thinking on how we can best enable access to cultural heritage data and reduce friction costs are welcome, particularly with evaluation on the relative strengths and weaknesses.

4.      Multilingualism: Google has more or less cracked full text translation of mainstream languages, but we are still struggling with niche languages and metadata. Presentations that evaluate the current thinking or give insights into the latest work in the area would fit well in this section of the creation and use of multilingual data in Cultural Heritage.

DISCOVERY

1.      User Interaction: Search is still the dominant means of gaining access to the wealth of cultural heritage data now online, but does it represent that wealth? Search is ungenerous: it withholds information, and demands a query, what are the alternatives? Papers on generous interfaces and frictionless design are sought to shed new light on how Cultural Heritage can show itself more deeply. Evaluating the benefits and weaknesses to the user in the process.

2.      Artificial Intelligence: For this subject topics ranging from machine learning to neural network-based approaches to Cultural Heritage are welcome. This includes applications of AI from image feature recognition to natural language processing, and from building search interfaces on features/colour similarity between images and discovery to the use of human metadata and computer vision.  We would also be interested in the audio and moving image equivalents. Anything dealing with the combination of metadata tags, image similarity and machine learning based on user input would be very relevant as would Artificial Intelligence technology for content curation.

DELIVERY

1.      Digital Innovation: The corporate culture of our memory institutions, set up to preserve and conserve our heritage and the organisation of digital innovation are not a marriage made in heaven.  The Labs/Skunkworks model is increasingly seen at best as an interim stage and at worst as a dead end for organising innovation. So how should GLAMs go about organising for digital innovation? How can governments and/or funders best support digital transformation of the GLAM-sector?

2.      Evaluation techniques: Evaluation should be part of everything we do in the publicly funded space of most of cultural heritage, but the how is struggling to gain a common language, one that we can apply so funders get a picture of the project within its broader context.  Evaluation has been requested to be part of all papers submitted but the latest in techniques and agreement on a framework for the sector would constitute useful insights.

3.      Open source community: What is the health and standing of the open source community within the cultural heritage sector? Does it thrive or is it a nice idea that is not a reality?  How can projects with a limited lifespan create and sustain products for the sector at large while developing and engaging a thriving community around them?    From digitisation to search engine development should there be more emphasis on the need for vibrant open source communities and more resources  to realizing them? Papers on barriers and successes are requested.

L'articolo EuropeanaTech 2018 Conference proviene da Invasioni Digitali.

L'articolo ALL DIGITAL Summit 2017 – Barcelona proviene da Invasioni Digitali.

The G. Fedrigoni Foudation ISTOCARTA, appreciating the value of the initiative, promoted an “Invasion of the Paper Universe. From its history to the technique in paper-making” and it reserved two dates for the “invaders”, 25th April at 10.30 a.m. and 30th April at 3.00 p.m., by opening the precious Historical Archive of Miliani Fabriano Paper Mills to the public.

The 2nd step was dedicate to the “technique”. Dr Livia Faggioni (Coordinator) spoke about the ways of realization and use of the tools necessary for the fabrication of hand-made paper through the historical paper heritage inherited by Miliani Fabriano Paper Mills: waxes, dies, hand-moulds preserved by G. Fedrigoni Foundation ISTOCARTA. After a short introduction, in the little museum annexed to the Archive, was shown a video on the hand-made papermaking, realized by the FABRIANO Fedrigoni Spa Paper Mill, in the “Vat division”, to enter after in the details of tools. The “hand-mould”, principal tool for the hand-made paper production, was the protagonist. From the analysis of its different morphological features to the different ways of realization and the result on the paper: “”laid” mould and “wove”mould, with clear watermark (“in chiaro”) or clear and dark watermark (“in chiaro-scuro”), etc.

The 2nd room of Archive has hosted the tools necessary for the production of a copper “die” (positive and negative die) to impress the watermark on the metal wire of the hand-mould (clear and dark watermark): from the engraver box for the engraving wax (from where is produced the die); to the graphite box, until to the tubs for the electroplating process (to produce the die). Very interesting the demonstration of engraver Gilberto Micucci (emplyee of FABRIANO paper mill).

Many questions and much curiosity for the 2nd step of the “Universe paper invasion”. As for the 1st step, the two rooms of the Archive were “invaded” by multicolor “invaders masks”. At the end, the usual photo. The “invaders” have worn the “invaders mask” and…INVASION MADE!!

L'articolo Invasion of the Paper Universe. From its history to the technique in paper-making. 2nd step: “The tecnique” proviene da Invasioni Digitali.

The G. Fedrigoni Foudation Istocarta, appreciating the value of the initiative, promoted an “Invasion of the Paper Universe. From its history to the technique in paper-making” and it reserved two dates for the “invaders”, 25th April at 10.30 a.m. and 30th April at 3.00 p.m., by opening the precious Historical Archive of Miliani Fabriano Paper Mills to the public.

The 1st step was dedicate to the history of Fabriano Paper Mills from 1782, narrated across documents which have been conserved at the Historical Archive of Miliani Fabriano Paper Mills, the first Enterprise Archive acknowledged as being of “noteworthy historical value” in Italy (20th July 1964). Great interest and curiosity of many “invaders” who have admired, in the first time, the little museum annexed to the Archive where there are some tolls for the hand-made papermaking (hand-moulds, metal wire, dies, etc.) and some of the most beautiful watermarks produced by Miliani Ppaer Mills since the end of 1700 (that are part of a collection of more than 1,500 pieces, the “Raccolta del Duca Tosti di Valminuta” preserved in the Archive): artistic watermarks “in chiaro-scuro” (clear and dark shadows), that reproduced portraits of famous Italian and foreign characters; watermarks commissioned by historical Made in Italy Companies (Olivetti, Liquore Strega, Brioschi, Borsalino, Fiat, etc.); precious watermarks for banknotes.

From little museum to the heart of Archive, in the “Reference room” where some documents representative of the history Miliani Paper Mills, dated since 1782 (the date of the foundation of Miliani Fabriano Paper Mills) were showed: “Copia-lettere” (registers where the outgoing letters of Paper Mills were copied) with important name of Italian and foreign clients, like F. Rosaspina, G.B. Bodoni, M. Leopardi, A. Canova, R. Morghen, etc.; old price lists; wonderful and multicolour samples of paper; photos since 1871 conserved in the “Fondo Fototeca” with more than 1.500 historical photos, testimony of industrial archaeological , architectural, landscape heritage, of society and paper culture. A historical heritage who has given and gives yet an important contribute for the history of paper and paper science in Italy and in the world.

The TgR Marche (television news) participated to the “invasion” and realized a video, available on www.istocarta.it, in the VIDEO section.

The two rooms of the Archive were “invaded” by multicolor “invaders masks”. There was a special atmosphere. The main features of this 1st step were culture, curiosity and irony. At the end, the usual photo. The “invaders” have worn the “invaders mask” and… INVASION MADE!!

L'articolo Invasion of the Paper Universe. From its history to the technique in paper-making. 1 Step: “The history” proviene da Invasioni Digitali.

So, on Monday the 27th of April 2015, for the first time, we became invaders. We took pictures of two of the iconic monuments in Villapiana and shared them in real time on the social media. The invasion started first from Piazza Dante, the heart of the town, where adults and children especially got together! After we went to the Chiesa di Santa Maria del Piano (a church)꞉ here Gianni and Rosa Lina, our guides, told us about its story and we also could admire its beauty.

Then we continued our way by walking to the Convento di Sant’Antonio (a covent), leaving the residential area and getting in touch with the green of the nature. From the ancient building, only a little church and old walls at the entrance of the alley remain. The covent is a treasure chest where we found꞉ a wodden altar portraying the Madonna, an ancient canvas, some objects of everyday life, an old pipe organ.

The day ended with a tasting of a company ‘s (Azienda Agricola Francesco Gabriele) zero miles products: local olives and olive oil.

For us, the experience of Invasions was unique, it gave us the opportunity to know better our town but, above all, to establish relations that will continue after this event.

See ya next year!!

Marianna Santagada

L'articolo #InvadiVillapiana, an experience that comes from afar proviene da Invasioni Digitali.

Art becomes knowledge when it’s shared » it’s a point of our manifesto and we want to share it in all its forms, together with you. We’ll never forget the first time, the first digital white night so we want to replicate it the very same day!

The incredible mix between @invasionidigita and @insopportabile and our first Digital White Night together.

Thursday, July 10th, from 08.00 p.m. to 02.00 a.m. call your friends, relatives, lovers, husbands and wives, children … charge the batteries of your PCs and tablets and get ready to spend an other night with us.

The official hashtag of the night will be #NBTW, as usual, and then the specific topics in order to get the chance to follow only the one you are interested in.

Here are the topics and suggestions on what to tweet with the specific hashtags:

#NBTWliterature – poetry, prose, pieces from books, words and quotes, proverbs, reading.
Here you can post your pieces, quotes that you love, videos of you reading a passage (using Vine or Instagram, for example), a video of an author reading his piece, etc..

#NBTWmusic – every genre of music, songs, videos, jazz, pop, rock, folk, ecc even your song if you are an artist.
Here you can feast with music of all kinds, and if you’re a musician why do not sing/play/whistle your own song for the occasion? Let us know the music of your land, something that comes from far away and can makes us want to take the first train to reach you and listen to more.

#NBTWart – paintings, statues, museums, art galleries, archeological sites and so on.
Let us feel the art in all its forms, a museum that has touched your heart, a framework that tell us its story or maybe yours. If you are a museum let us enter into your rooms, albeit virtually, and inspire us with your art and your story.

#NBTWtravel – a travel around our cities, villages, towns, our country. If you are in and around the city participate “live” letting us know about the place you where in or let us discover in pictures or videos that hidden corner that you really cannot forget.

#NBTWfood – not a coincidence that we start at 8.00 pm…food … but, above all, wine of our land! Recipes, tips, wine pairings and everything that tickles the palate. Organize a tasting and…bon appetit! Let us visit your land through its gastronomy and the wines that it produces so that we can come to see you live to test them!

During the night take a picture with our poster “Culture Never Sleeps” and post it!
Watch out your timeline…it’s going to be invaded by Culture!

L'articolo Sharing the night, enriching culture! proviene da Invasioni Digitali.